top of page

Group Exhibitions

Yael Kaduri_Competition Finland.jpg

2024, 26 June – 27 July.

Aqua, Ambra, Aquila International Jewellery Competition 2024.

In collaboration with The Finnish Jewelry Art Association.

The Ruuma Gallery, Vellamo Maritime Center, Kotka, Finland.

Yael Kaduri.jpg

3D printed PVB, sterling silver, brass, stainless steel

New Lost Buried beneath the ocean's embrace for eternity, lies a human treasure imbued with memories, dreams, and the full spectrum of emotions. Some forever lost, merging with the sea's secrets. Inspired by ocean's hidden lives, this series delves into their metamorphosis, blending ancient essence with advanced technology to resurrect what was once lost. Hybrid creations emerge, bridging past and present, low with high materials, and digital realms with craft.

1.jpg

2024, 8 – 13 June.

Exhibition of the 33rd Japan Jewellery Competition. 

Japan Jewellery Designers Association, Tokyo Metropolitan Art Museum, Tokyo,

Japan.

Serenity_Kaduri_front.jpg

3D printed PVB, sterling silver, brass, stainless steel

Serenity “Serenity” started as a work process into the unknown. Motivated by the recent upgrade of a 3D desk printer, I started a voyage toward inventing a pioneering craftsmanship, aiming at the creation of precious art jewelry from polymers. In a way that is perhaps paradoxical, my studio course combines an exploration of cutting-age digital means with the Zen principals of practice and aesthetics. Improving slowly but stubbornly, my research pushes the boundaries of digital technology with its small scale, multi-coloring, transparency, and hands-on manipulation of the printer.

Allieges_Munich.jpg

2024, 28 Feb - 1 March.

(Un)Avowable Secrets at Schmuck 2024. Werkstatt Galerie,

Munich jewellery Week,

Germany

Kaduri_Digital Alchemy_edited.jpg
Kaduri_Digital Alchemy_edited_edited.jpg

3D printed PVB, sterling silver, brass, stainless steel

Alchemy How can innovative digital techniques enrich the world of art jewelry without putting this essence in risk? Using a home 3D printer, my work exploring this question. I seek to develop new craftsmanship skills for the design of precious jewelry from cutting-age polymers. My research pushes the boundaries of digital technology in its small scale, multi-coloring, transparency, and the manipulation of the 3D printer.

Additional Lockations

Cagnes sur mer_2_edited.jpg

2024, 2 May - 5 May.

(Un)Avowable Secrets at Cagnes-sur-Mer. Château-musée Grimaldi,

Cagnes-sur-Mer Jewellery Week,

France

037a2621.jpg

2023, 7 Dec and on.

Freedom to Create: Digital Craft.

Bloomfield Science Museum, Jerusalem,

Israel

IMG_8698_Yael Kaduri_Composition 1.jpg
IMG_2374_Yael Kaduri_Sea Veils 3_edited.jpg
Kaduri_Digital Precious 4_edited.jpg

3D printed PVB and PLA, brass, stainless steel

Photo: Orit Arnob

Madrid_Poster.jpg

2020, 7 Feb - 29 March.

IV Contemporary Goldsmith and Jewelry Exhibition.

National Museum of Decorative Arts, Madrid, Spain.

2318518b-fb56-4a75-8399-16295eeb76fc.jpg

Sterling silver, Kozo paper, rice-water glue, ink, pencil colors, metal acrylic color, varnish

Untitled Intuitive drawings of organic jewels, confronting the exterior with the interior, led to series of bracelets, which combines metal constructions and Kozo paper bubbles. The constructions are a basis for the hollow and airy paper shapes, but at the same time are supported by them.

MJW_Poster.jpg

2019, 24 - 27 Oct. 

Milano Jewelry Week Jewelry Main Exhibition 2019.

Palazzo Bovara, Milan,

Italy.

IMG_8704_Yael Kaduri_Composition 2_edited.jpg
IMG_8709_Yael Kaduri_Composition 3_edited.jpg
IMG_8698_Yael Kaduri_Composition 1.jpg

PLA, spring steel, copper beads, brass, cold enamel, car paint, gesso and sea sand​​​

Compositions The series began with intuitive drawings which made it clear for the artist that she was searching for an inner wisdom within the jewel, which involved its operation. Thus, the mechanism of the fibula pins used in ancient Greece and Rome was chosen as a framework for the series which confronts the basic geometric shape of the square with the circle.

Exhibition Poster.jpg

2019, 12 Sep - 30 Nov.

Jewellery // Sculptur, Ediotion II.

Bauernmarkt 8, Vienna,

Austria.

DSC00315.jpg
8_Camouflage (b).jpg

Sterling silver, Kozo paper, rice-water glue, ink, pencil colors, metal acrylic color, varnish

The starting point of this work was a series of free colorful 2D and 3D sketches that led to organic forms which were playing with reflections of hidden bright colors on shiny silver. This experimental experience reminded me of carnivorous plants – their elegance, seduction and hidden danger. I created a neck piece for a woman. A colorful scene facing inside, towards her body, while the exterior dimension is merging with her body. This woman might camouflage her sensuality, yet the agitated veil reveals her longing and passionate soul.

bottom of page